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Dancing Cartoon Characters

Posted by William A. Perry in Dancing
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Dancing Cartoon Characters

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No sooner had Disneyland been completed (fall 1955) than visitors were encouraged to dance in the streets, alongside costumed performers impersonating beloved cartoon characters. This, Disney hoped, would restore to the typical victim of modern conformist society an emotional, primitive, spiritual, sensual, natural sensibility. Ever the iconoclast, Disney constantly instructed his crew to be consciously aware, while preparing upcoming projects, of "how primitive music is — how A dance based on electricity, for example, would be abstract. Comic dance usually includes mimetic gestures, character, exaggeration and an element of surprise. Timing and quirkiness also add humour. A dance based on cartoon characters would be a comic

dance..Dramatic dance might be narrative, where a story unfolds, or it could explore an aspect of the human condition such as an issue, mood or emotion in a nonnarrative way. A dance exploring playground relationships and ized; to achieve the typical, the sense of the collective, they relied on a stock of images familiar from films, cartoons, and photographs. In America Today (1930), Benton's great set of murals for the New School in New York, “the figures, drawn like animated cartoon characters, defy orthodox anatomy,” says Marling. “Benton's farmers and floozies diagram kinetic energy poised for release” (40). Copland's use of Mexican tunes in El Salon Mexico and cowboy songs in Billy the Kid and These rural

dances.also appeared in old cartoons from the 1930s in which Mickey and Minnie Mouse, Clarabelle the Cow, and other cartoon characters would gather in someone's barn for a Saturday night dance.1 The music always seemed to be “Arkansas Traveler” or “Turkey in the Straw,” concluding with the customary tag: “Shave and a haircut, two bits.” In addition to square dances, these barn dance cartoons also featured step dancing, with individual dancers kicking up their In the movie SEVEN BRIDES FOR SEVEN BROTHERS (1954) Michael Kidd combined the movements of chopping, sawing and piling wood in an unforgettable dance for the brothers that captured a mood and showed us the character of each the Al Capp cartoon characters in rural

America,.Dogpatch, U.S.A. Jazz dance, a 20th century development, has been influenced, as it evolved, by the jazz musicians who moved from New Orleans to Chicago and New York to look for work.Gene Kelly danced twice with animated characters, in a brief sequence of Anchors Aweigh (1945) and in a main sequence of the episodic film Invitation to the Dance (1956). Kelly wanted to create something on film that hadn't been done before. He and Stanley Donen, the director of Anchors Aweigh, sat around for days to think of something that would be new. It was Donen who suggested, “How about doing a dance with a cartoon?” The MGM brass was not convinced but Joe "Sinbad the Sailor," like the movie Anchors Aweigh, gives Kelly a

chance.to be seen dancing with animated cartoon characters. Because of Metro's lack of confidence in Invitation to the Dance, it was delayed some four years before being released to the general public. MCA ST. MGM/UA VC. HIGH SOCIETY Music & lyrics: Cole Porter Screenplay: John Patrick. High Society. Frank Sinatra and Bing Crosby clowning through "Well, Did You Evah?" Funny Face. Fred Astaire and Audrey Having studiedmodern dance withMartha Graham, her style of expression of meaning through movement underpinned his dramatically expressive dance style used to create 'real' and likeable characters that audiences would have identified with.A typical scene thatwouldhave endeared himtoaudiences can beseeninAnchors

Aweigh.(MGM, Producer, Joseph Pasternak 1945). Playinga sailoron leave fromthe war in Hollywood, the famousscene features Kellywith cartoon character More than 100 quotes and sayings are included in this charming gift book, highlighted with cartoons showing Snoopy in all his dancing splendor.Words spoken by the voices of the cartoon characters are written in frame by frame. (The "voices" are those of radio, television and film personalities). Music also goes on the detail sheet, note by note, frame by frame. This insures that cartoon dancers, for example, are always "on the beat." Dancing has been well done in Down Beat Bear and Muscle Beach Tom, to name only a few. The MGM cartoon studio has also worked closely

with.MGM feature picture producers in inserting into 

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